{"id":280,"date":"2024-01-30T20:40:38","date_gmt":"2024-01-30T19:40:38","guid":{"rendered":"https:\/\/sabrierpaunet.com\/?page_id=280"},"modified":"2026-05-08T12:15:22","modified_gmt":"2026-05-08T10:15:22","slug":"expositions","status":"publish","type":"page","link":"https:\/\/sabrierpaunet.com\/index.php\/expositions\/","title":{"rendered":"Expositions"},"content":{"rendered":"\n
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Salon du Dessin<\/h1>\n\n\n\n

34e <\/sup>\u00c9DITION<\/h2>\n\n\n\n

Une s\u00e9lection d\u2019\u0153uvres in\u00e9dites t\u00e9moignant de la grande tradition des \u00e9coles de dessin bolonaise et romaine (Guercino, Carlo Maratti, Gaetano Gandolfi), incluant \u00e9galement l\u2019\u00e9cole napolitaine de la fin du XIXe<\/sup> si\u00e8cle (Giuseppe De Nittis, Antonio Mancini, Francesco Paolo Michetti, Gaetano Esposito) ainsi qu\u2019une pr\u00e9sentation th\u00e9matique de dessins italiens et fran\u00e7ais du XVIIIe<\/sup> si\u00e8cle pr\u00e9paratoires \u00e0 des frontispices de livres (Giampietro Zanotti, Sebastiano Conca, Gabriel de Saint-Aubin) accompagn\u00e9e d\u2019un catalogue d\u00e9di\u00e9.

Du 25 au 30 mars 2026
Palais Brongniart, Paris<\/p>\n\n\n\n

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PHOTOS \u00a9 NOHAN FERREIRA<\/p>\n\n\n\n

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TROIS CRAYONS<\/h1>\n\n\n\n

TRACING TIME<\/em><\/h2>\n\n\n\n

Cinq \u0153uvres sur papier du XVIIe<\/sup> si\u00e8cle au XXe<\/sup> si\u00e8cle pr\u00e9sent\u00e9es lors de la deuxi\u00e8me \u00e9dition d\u2019un \u00e9v\u00e9nement d\u00e9di\u00e9 au dessin sous toutes ses formes, rassemblant vingt-cinq marchands internationaux.

Du 26 juin au 5 juillet 2025
No. 9 Cork Street, Mayfair, Londres<\/p>\n\n\n\n

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Salon du Dessin<\/h1>\n\n\n\n

33e <\/sup>\u00c9DITION<\/h2>\n\n\n\n

Une premi\u00e8re participation au salon de r\u00e9f\u00e9rence dans le monde du dessin de collection avec la s\u00e9lection d\u2019une quarantaine d\u2019\u0153uvres du XVIIe<\/sup> au XIXe<\/sup> si\u00e8cle, articul\u00e9e autour de diff\u00e9rentes th\u00e9matiques : le dessin fran\u00e7ais au tournant du XVIIIe<\/sup> si\u00e8cle, au cours du \u00ab second r\u00e8gne \u00bb de Louis XIV, la repr\u00e9sentation de l\u2019artiste, en devenir ou bien au fa\u00eete de sa carri\u00e8re, le dessin comme \u0153uvre pr\u00e9paratoire \u00e0 l\u2019estampe, le regard sur l\u2019Antiquit\u00e9 ou un encore certain tropisme napolitain.

Du 26 au 31 mars 2025
Palais Brongniart, Paris<\/p>\n\n\n\n

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PHOTOS \u00a9 NOHAN FERREIRA<\/p>\n\n\n\n

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Trois Crayons<\/h1>\n\n\n\n

X LONDON ART WEEK<\/h2>\n\n\n\n

Cinq \u0153uvres sur papier du XVIIIe<\/sup> si\u00e8cle au XIXe<\/sup> si\u00e8cle pr\u00e9sent\u00e9es lors de la premi\u00e8re \u00e9dition d\u2019un \u00e9v\u00e9nement rassemblant quinze marchands de dessins internationaux \u00e0 Londres.

Du 28 juin au 5 juillet 2024
No. 9 Cork Street
Mayfair, Londres<\/p>\n\n\n\n

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EXPOSITION<\/h1>\n\n\n\n

DESSINS ANCIENS
ET DU XIXe<\/strong><\/sup> SI\u00c8CLE<\/h2>\n\n\n\n

Une trentaine d\u2019\u0153uvres sur papier du XVIIe<\/sup> si\u00e8cle au XIXe<\/sup> si\u00e8cle et un focus sur l\u2019artiste napolitain Vincenzo Volpe (1855-1929), camarade d\u2019Antonio Mancini et Vincenzo Gemito, avec douze acad\u00e9mies in\u00e9dites datant de ses jeunes ann\u00e9es \u00e0 l\u2019Istituto di Belle Arti de Naples.

Du 19 au 26 mars 2024
Galerie Ambroise Duchemin
51 rue Sainte-Anne, 75002 Paris
Sc\u00e9nographie : Roberto Ruspoli<\/p>\n\n\n\n

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PHOTOS \u00a9 NOHAN FERREIRA<\/p>\n\n\n\n

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Fine Arts Biennale<\/h1>\n\n\n\n

S\u00c9LECTION \u00ab CINQ JEUNES TALENTS \u00bb<\/h2>\n\n\n\n

Une singerie du dessinateur et graveur Louis Le Mire (Rouen, 1727 ? \u2013 Paris, 1757 ?), La Parade<\/em>, pr\u00e9sent\u00e9e dans le cadre d\u2019une invitation \u00e0 exposer une \u0153uvre \u00e0 Fine Arts Biennale aux c\u00f4t\u00e9s de quatre autres jeunes marchands.

Du 22 au 26 novembre 2023
Paris, Grand Palais \u00c9ph\u00e9m\u00e8re<\/p>\n\n\n\n

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DESSINS
NAPOLITAINS<\/h1>\n\n\n\n

DU XVIIe<\/strong><\/sup> AU XIXe<\/strong><\/sup> SI\u00c8CLE<\/h2>\n\n\n\n

Une exposition inaugurale pr\u00e9sentant une vingtaine d\u2019\u0153uvres sur papier et parcourant trois si\u00e8cles de dessin \u00e0 Naples, des ann\u00e9es 1620 aux premi\u00e8res ann\u00e9es du XXe<\/sup> si\u00e8cle, de Massimo Stanzione (1585-1656) \u00e0 Vincenzo Gemito (1852-1929).

Du 8 au 13 juin 2023
21 rue Bonaparte, 75006 Paris
Sc\u00e9nographie : Philippe Cramer<\/p>\n\n\n\n

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PHOTOS \u00a9 CAROLINE DE LA GORCE<\/p>\n\n\n\n

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PHOTOS \u00a9 NOHAN FERREIRA PHOTOS \u00a9 NOHAN FERREIRA PHOTOS \u00a9 NOHAN FERREIRA PHOTOS \u00a9 CAROLINE DE LA GORCE<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-280","page","type-page","status-publish","hentry"],"yoast_head":"\nExpositions - 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