{"id":158,"date":"2024-01-29T16:57:43","date_gmt":"2024-01-29T15:57:43","guid":{"rendered":"https:\/\/sabrierpaunet.com\/?page_id=158"},"modified":"2026-01-06T11:44:34","modified_gmt":"2026-01-06T10:44:34","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/sabrierpaunet.com\/index.php\/a-propos\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"\n
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SABRIER & PAUNET<\/h1>\n\n\n\n

\u0152UVRES SUR PAPIER DE MA\u00ceTRES ANCIENS ET DU XIXe<\/sup> SI\u00c8CLE<\/h3>\n\n\n\n
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PHOTO \u00a9 NADIM ASFAR<\/p>\n<\/div>\n\n\n\n

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La sensibilit\u00e9 pour le dessin est \u00e0 la crois\u00e9e de deux horizons tr\u00e8s diff\u00e9rents : en juin 2023, Yasmina Sabrier et Marianne Paunet d\u00e9cident de conjuguer leurs regards afin de proposer une identit\u00e9 nouvelle dans le march\u00e9 du dessin ancien. Sabrier & Paunet a pour ambition de pr\u00e9senter des expositions r\u00e9guli\u00e8res et \u00e9ph\u00e9m\u00e8res d\u2019\u0153uvres sur papier choisies suivant leur go\u00fbt, avec rigueur et ouverture d\u2019esprit, et un twist contemporain. 
Leur exposition inaugurale, consacr\u00e9e au dessin napolitain du XVIIe<\/sup> au XIXe<\/sup> si\u00e8cle, accompagn\u00e9e d’un catalogue, s\u2019est achev\u00e9e par l\u2019acquisition d\u2019une \u0153uvre de Vincenzo Gemito par le mus\u00e9e d\u2019Orsay.<\/p>\n<\/div>\n\n\n\n

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Yasmina Sabrier, juriste de formation, sillonne le monde de l’art contemporain depuis plus de quinze ans. Son activit\u00e9 de conseil l’a conduite \u00e0 voyager \u00e0 la recherche de perles rares, aussi bien dans les foires, biennales ou \u00e9coles des Beaux-Arts que chez les particuliers. Depuis de longues ann\u00e9es, elle nourrit en parall\u00e8le une forte attraction pour les arts anciens et les \u0153uvres sur papier. Elle est aussi \u00e9crivain, Prix du Premier Roman 2003 avec Les Enfants de la place<\/em>.<\/p>\n\n\n\n

Marianne Paunet a \u00e9tudi\u00e9 \u00e0 l\u2019\u00c9cole du Louvre et l\u2019ESSEC. Elle est sp\u00e9cialiste des arts graphiques des XVIIe et XVIIIe si\u00e8cles et pr\u00e9pare une \u00e9tude et un catalogue de l\u2019\u0153uvre d\u2019Antoine Dieu, dessinateur virtuose au tournant des XVIIe<\/sup> et XVIIIe<\/sup> si\u00e8cles, \u00e0 mi-chemin de Charles Le Brun et d’Antoine Watteau. Apr\u00e8s plusieurs exp\u00e9riences en France et \u00e0 l\u2019\u00e9tranger (d\u00e9partement des Arts graphiques du mus\u00e9e du Louvre, Acad\u00e9mie de France \u00e0 Rome|Villa M\u00e9dicis, d\u00e9partement Old Master Drawings de Sotheby\u2019s Londres), elle a collabor\u00e9 avec la galerie Michel Descours \u00e0 Paris et ainsi particip\u00e9 aux temps forts du march\u00e9 de l\u2019art ancien comme le Salon du Dessin (Paris) ou Tefaf Maastricht.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

PHOTO \u00a9 NADIM ASFAR La sensibilit\u00e9 pour le dessin est \u00e0 la crois\u00e9e de deux horizons tr\u00e8s diff\u00e9rents : en […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-158","page","type-page","status-publish","hentry"],"yoast_head":"\n\u00c0 propos - 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